Ilford ID-11
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Ogdensburg is a city in St. Lawrence County, New York, United States. The population was 11,128 at the 2010 census. In the late 18th century, European-American settlers named the community after American land owner and developer Samuel Ogden.
The City of Ogdensburg is at the northern border of New York at the mouth of the Oswegatchie River on the south bank of the St. Lawrence River. T
Europe, The Netherlands, Zuid Holland, Rotterdam, Cool, Coolhaven, Little C, Balconies (slightly cut from all sides)
Much has already been said and written about Little C. See the previous post for a little sample.
The style of the building complex can partly be traced back to the inherent cynicism of the project developers that created a project that uses the morphology of ultimately very problematic urban districts/housing complexes like The Projects (New York) -and the long ago demolished Kowloon (Hong Kong) quarter.
This is for now the last of the Little C mini-series.
This is number 1343 of Minimalism / explicit Graphism.
In 1835, Berwick was told that its prison in the Town Hall was unsuitable and needed to be replaced. It took sometime to find a site, agree on plans and raise the money to do this. However, this project finally came to fruition with the opening of this building in Wallace Green in 1849 as a Prison. It's history as a prison was relatively short lived as it closed in 1878. However, having cost so much to build, a new use had to be found for it. Initially it was used as a Court house and by Berwick's Police Force, but then in the early 1890s it was purchased by Berwick's
Urban Sanitary Authority, it was converted to office
accommodation and stables were built on the back of the site. A plaque above the main door commemorates the completion of this work in 1892. From then until 2009, the building was used a Council administrative buildings, being eventually sold after 2015 to a local developer, who has converted it to four properties, retaining many of its original features, including some of the prison cells on the top floor.
The road to Fratres
Straße nach Fratres
Pentax Super A, smc Pentax Shift 1:3.5 28mm
Ilford FP4 film/Promicrol 1+3 developer
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Taken from Heron Pike and stitched from five landscape orientation shots.
Ullswater is the second largest lake in Cumbria by both area and volume, after Windermere. The lake is about 7 miles (11 km) long, 0.75 miles (1 km) wide, and has a maximum depth of 63 metres (207 ft). (Wikipedia)
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
That bench on the Gruffy again, from the other side this time. Camera jpeg edited in SilkyPix.
Happy Bench Monday
Photo information:
Film type: 135.
Film name: Adox CHS 100 II@100.
Developer: Adox FX-39 II.
Process: 20°C.
Developer dilution: 1+19.
Developing time: 14'.
Agitation: in 10 sec every 1 min..
Camera: Canon EOS 5.
Lens: Zoom Lens EF 35-80mm 1:4-5.6.
Filter(s) used: no
Aperture: 11.
Exposure time: 1/60.
Focal length: 50 mm.
Scanner manufacturer: Epson Perfection V550 Photo.
Explored April 21, 2021
(Image taken recently with a B&W Analog roll film camera).
Very happy with the results from using Perceptol as the film developer. Was able to get almost no grain and high sharpness on my 35mm SLR. Great for printing large.
(Spanish): Muy contento con los resultados obtenidos al usar Perceptol como el revelador. La definition es estupenda y el grano casi no visible. Bueno para ampliaciones).
(Camera: Nikon N8008 + Nikon AF 24mm f/2.8 + Yellow filter).
(Analog Film: Kodak TMax 100 black & white Negative film).
(Technical Data: Develop on Perceptol @75°. Copy negative with a DSLR, then edit on Nik Collection Silver Effex Pro 2).
(Location: Palm Bluff Conservation Area, Osteen, Florida).
This image belong to my Album: Analog Photography.
Explored on April 21, 2021
I'm trying to work out a way to use Fomapan 400 as a Kallitype negative, but it's proving difficult to get it to work as I want with Pyro developers. With Pyrocat HD it produces lots of density but higher values are all mashed together into a flat mess. I think I will give up and stick with FP4 for making Kallitype negs.
This is the second of two identically exposed sheets of Fomapan 400, this one developed in home made Mytol, an Xtol ascorbate clone.
Deardorff 8x10 with the Kodak f4.5 Ektar lens, at f8. A six second exposure.
Photo information:
ISO: 200
Film type: 135
Film name: Rollei RPX 100
Developer: Adox Rodinal
Process: 20°C.
Developer dilution: 1+50
Developing time: 16'30"'
Agitation: in 20 sec every 1 min.
Camera: Exa 0
Lens: Tessar 2.8/50
Filter(s) used: no
Aperture: 11
Exposure time: 1/50
Focal length: 50
Scanner manufacturer: Epson Perfection V550 Photo.
Small waterfall below Secret Falls, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Rolleiflex Automat (k4a 51’-54’)
Zeiss Opton Tessar T 75/3.5
Orange filter
Fujifilm Neopan Acros II
Rodinal Developer 1+50@13:00 mts
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Iris planifolia
Pentax Z-1p, smc Pentax-FA 1:1.4 50mm, f/3.3, 1/60
Ilford Delta 100 film/Adox FX-39 II 1+9 developer
Catkins and budding leaves of American Hornbeam (AKA Ironwood, Carpinus caroliniana), Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Only just taller than a tree ...
El Capitan in afternoon light (and forced perspective).
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Live Oak (Quercus virginiana) canopy, Bald Head Island, North Carolina
Pentax K-1
Lensbaby Velvet 56/1.6
Iridient Developer
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Photo information:
ISO: 100
Film type: 120
Film name: Rollei RPX 100
Developer: Kodak D-76
Process: 20°C.
Developer dilution: Stock
Developing time: 9'
Camera: Pentax 645n
Lens: SMC Pentax-FA 645 1:2.8 45mm
Filter(s) used: no
Aperture: 8
Exposure time: 1/45
Focal length: 45
Scanner manufacturer: Epson Perfection V550 Photo.
Morning light on the Sydney coast, November 2020.
In Flickr Explore March 10, 2021.
Camera: Leica CL
Lens: Cosina-Voigtlander Ultron 35mm f/2 Vintage Line
Film: Ilford FP4+ @ISO400
Developer: Microphen 1+1
Scan: Epson V700
Postprocessing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2020 Lynn Burdekin. All Rights Reserved.
Ghost Pipe(Monotropa uniflora) and rhododendron petals stand out against the wet leaf litter. Secret Falls Trail, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
pl.wikipedia.org/wiki/Jelcz_043
Meopta Flexaret IIa (S/N:30130190a)
Meopta Mirar II 1:3.5 f=80mm (S/N: 20449300)
Foma Fomapan 400 (400 ISO)
Foma Fomadon Excel 1:1 for 10 min (20C)
Here you can see how early car manufacturers used lead (instead of Bondo) to fill in roof joints. Notice how sanding (file) marks are still present in the lead. More importantly, just how thick the early paint jobs had to be to cover these scratches up.
Image:
Konica T4
40mm f1.8
Fuji 4791 duplicating film.
POTA developer, 12 Minutes.
Kettering, Ohio, 2024
Yoshi Lovejoy Lester wishes you a relaxed Happy Caturday!
Camera: Canon EOS 3
Lens: Canon EF 35mm f/2 IS USM
Film: Kodak Portra 400
Developer: Cinestill CS-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger
Software conversion: Negative Lab Pro 3.0
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.